La piramide a gradoni

16 / 5 / 2023

La piramide a gradoni

Il terremoto del 1992 aveva seriamente danneggiato la struttura interna della piramide. Per questo motivo nel 2006 sono iniziati i lavori di restauro che sono durati 14 anni tra molte difficoltà. Nel 2011 i lavori hanno subito un'interruzione a causa della rivoluzione, ora sono aperti a visitatori e turisti da tutto il mondo.

La piramide a gradoni del re Djoser a Saqqara è una delle cose da fare al Cairo o forse in tutto l'Egitto. Questa struttura ci mostra lo sviluppo della costruzione piramidale. È la piramide iniziale costruita in Egitto e anche se non è una "vera piramide" con lati lisci, come le Piramidi di Giza e la Piramide piegata e la piramide rossa di Dahshur.

La prima grande struttura in pietra da taglio al mondo è composta da sei gradini, sovrapposti l'uno sull'altro. L'architetto di Djoser ha deciso di impilare diverse di queste strutture per creare un monumento più imponente al faraone, alto 203 piedi.

Lo scienziato più famoso che deve essere menzionato ogni volta che si parla di Sakkara è Jean-Philippe Lauer, un archeologo francese che ha restaurato e ricostruito le parti danneggiate del complesso.

Sul lato nord della piramide si distingue il tempio piramidale, mentre nei seguenti complessi piramidali si vede sempre sul lato est. Il complesso della piramide a gradoni è circondato da un muro di calcare alto 10,5 m noto come facciata del palazzo, che imita fasci di canne legati. La struttura complessiva imita il mudbrick. Il muro ha 14 porte fittizie, ma solo un vero ingresso, nell'angolo sud della facciata est, è per il soggiorno. Le porte rimanenti sono note come false porte, per l'uso del re nell'aldilà.

Quindi entriamo nel passaggio colonnato coperto con un soffitto in pietra calcarea composto da interi tronchi d'albero portato a una massiccia imitazione di pietra di due porte aperte era una sala con venti paia di colonne di calcare costruite per assomigliare a fasci di steli di piante e raggiungendo un'altezza di 6,6 m. Le colonne non erano indipendenti ma erano attaccate alle proiezioni del muro. Tra le colonne su entrambi i lati della sala c'erano piccole stanze, che suggerivano di essere per ciascuna delle province dell'Alto e del Basso Egitto. Alla fine del colonnato si trovava la sala ipostila trasversale con otto colonne collegate a coppie da blocchi di calcare. Ci sono pietre curve all'interno della magistratura che si pensa siano segni associati alla festa di Heb-sed, un importante rituale completato dai re egiziani quando hanno completato 30 anni per rinnovare i loro poteri.

All'estremità meridionale della corte c'era una piattaforma a cui si accedeva tramite gradini. È stato raccomandato che questo fosse un principio per il doppio trono. L'intero complesso della piramide a gradoni simboleggia il recinto del palazzo reale e consente al re di eseguire i rituali associati alla regalità. La tomba sud molto a sud del cortile sud si trovava. Vi daremo un indescrivibile benvenuto in questa benedetta terra d'Egitto con l'aiuto delle nostre guide qualificate e pronte.

Se volete conoscere Giza e vedere com'è fatta, potete trovare molte informazioni e immagini di un edificio speciale chiamato Moschea di Taghri Bardi al Cairo. Vi insegnerà di più su come Giza è stata costruita molto tempo fa.

Located in the vast expanses of Saqqara in the outer suburb of Cairo, the Step Pyramid of Djoser is indeed one of the strongest, yet most ancient, structures that Egypt boasts about. Often regarded as the first structure to implement large-scale stone construction techniques, this monumental building can be said to have spearheaded the era of pyramid construction in ancient Egypt. Built over 4600 years ago, the mysterious construction with a wide array of shapes, stories, and usages still exists and inspires archeologists, historians, and tourists to this day.

Historical background and significance

The Step Pyramid, otherwise referred to as the Pyramid of Djoser, was constructed in the 27th century BCE under the reign of the Pharaoh Djoser, who was the second monarch of Egypt's Third Dynasty. Djoser was a progressive king who wanted something more than apostolic vertical graves—mastabas—that man who is into a flat-topped tomb design created for a range of other pharaohs, including his steps. He commissioned the project to his most trusted architect, Imhotep, whom history would remember for far greater things than mere architecture.

Imhotep, who was an architect ahead of his time and the high priest, aspired to build a monument that was not only grand in the eyes of the Pharaoh but would also see a safe flight to Osiris. To achieve this, he invented a new architectural design, which was known as a step pyramid, by vertically stacking six nesting mastabas of increasingly smaller size. This great edifice not only served to elevate the status of Djoser in death but also transformed the architectural landscape of ancient Egypt forever.

The Step Pyramid measures around 62 meters (203 feet) in height, and it was the highest structure back then. Imhotep set a new trend in construction by building the pyramid with stone instead of mudbrick, which was used before. The pyramid is made up of six levels, or steps, each of which rises toward the peak of the structure, forming a staircase that is believed to help the king’s spirit ascend to heaven.

The pyramid complex is quite spacious, covering about 15 hectares (37 acres) and surrounded by a limestone wall with 14 false doors and one real door. This ingenious design had both symbolic and functional value, as it shrouded the pharaoh’s burial place in an aura of mystery and secured him from any invaders. Once inside the enclosure, one can find dozens of different buildings, such as temples and courtyards as well as the South Tomb, all of which are meant to help the deceased king reach the other world as well as serve religious practices.

Impressive underground tunnels form one of the exceptional aspects of the Step Pyramid complex. The vast stretch of 5.7 km (3.5 miles) of these vaults has more than 40, 000 stone jars engraved with the names of other kings before Djoser. The painstaking detail in the arrangement of these tunnels speaks volumes about the ideas of the ancient Egyptians concerning the protection of the treasures of the king for all time.

Imhotep, who came up with the concept of the Step Pyramid, was a Renaissance man qualified in several fields, including architecture, medicine, and religion. Because of his involvement in building the Step Pyramid, he received a lot of fame and respect. He was so influential that he was treated like a god of medical and healing arts more than a century after his death. His innovative way of using stones for construction made way for the enormous pyramids that would come after, such as the Great Pyramid of Giza.

Imhotep's design for the Step Pyramid complex also shows how much he grasps engineering with religion. The superficial step structure of pyramids represents a symbol of ascending toward the gods for the pharaohs, while the inner courtyards and temples are a representation of the cultural aspects of ancient Egyptian society rituals. This ability to balance the need for functional design and altar design envisioning the mass-transforming power of spirits reaffirms his place as one of the best architects in history.

Religious and cultural importance

Step Pyramid is a representation of sacredness in the sense that it is both a tomb and, in this case, a door to another dimension of life. The pharaohs were believed to be the people who could mingle with the gods and, thus, were considered divine. In connection with this, Djoser built the Step Pyramid to protect his divine status as well as ensure that his spirit would traverse safely into other planes of existence.

The course of the pyramid complex construction is accurate in that it shows cardinal directions and contains elements associated with the transport of the great pharaohs. The South Court, which is a large region devoid of any enclosing interior wall, was most likely enlarged in anticipation of the Heb-Sed celebration, which was a ritual that granted legitimacy to the king and spelled his right to rule. This was an opportunity for Djoser to ascertain himself as still living and well, even after he had been buried.

Furthermore, the other enclosing chapels and temples were also built for the priests, who were responsible for conducting the daily ceremonies to the spirit of Djoser, the king, and feeding him for his eternal journey. Such a practice of worshipping the dead in this manner emphasized the unending cycle of life, death, and rebirth, as was the case with the ancient Egyptians, which characterized their way of life.

The Djoser's Step Pyramid laid the foundations for a new generation of pyramids with smooth surfaces that dominated ancient Egyptian architecture. The success of Djoser’s monument brought on the following pharaohs, who commissioned larger and larger pyramids, which resulted in the Giza pyramids.

The Step Pyramid made a few improvements that would later be typical in the design of pyramid complexes. Many of these construction elements—stone quarrying, basement burial chambers, and the giant scale of the structure—were factors that pioneered the development of building pyramids. Djoser’s Step Pyramid is probably the main reason why such enormous pyramids as those of Sneferu, Khufu et al. were constructed.

For many generations, the Step Pyramid remained the symbol of the architectural accomplishment of the ancient Egyptians, but with time, it underwent much erosion. Starting from the year 1900, one British archeologist by the name of Cecil Firth made his way to Saqqara and commenced excavation works, which led to the discovery of most of the structures in the pyramid complex. Over the years, some other excavators have also managed to do a little more work at this remarkable structure.

Recently, however, restoration work has been carried out to restore the Step Pyramid for posterity. The extensive work involves, among other things, the stabilization of the internal chambers and the reconstruction of the outer walls. Such projects thankfully aim to compromise as little as possible on the original purpose of the building and allow this landmark building to testify for even more years about the culture and history of the country.

Visiting the Step Pyramid Today

Currently, tourists visiting Djoser’s Step Pyramid can enjoy not just the structure itself but the entire complex, which also reveals the elements of ancient Egyptian art and religion. Entering through the stone doors and strolling around the open sections, one can almost feel the presence of a bygone era dominated by Kings and the making of everlasting structures.

Nevertheless, Saqqara’s Step Pyramid is also one of the top places to see for every traveler, every historian, and every admirer of the undying civilization of Ancient Egypt. It is a monument of Pharaoh Djoser’s dreams as well as of the genius called Imhotep, the wonder that mankind still looks up to even after 4600 years of its existence.

The Step Pyramid of Djoser was built primarily as a tomb and as a monumental symbol of Pharaoh Djoser’s divine status, serving both religious and political purposes. Here’s a closer look at why it was built and what it represented:

1. A Royal Tomb for the Afterlife

The afterlife was represented as a vital component rather than an end to life, and the Ancient Egyptians considered it to be valid. Pharaohs worshipped as gods of earth, were anticipated to be buried in enormous tombs to shield their physical forms and preserve their souls after their demise. The Step Pyramid was built to be Djoser’s tomb to keep his remains and goods as well as assist him in the passage to an immortal state. The vastness of the building and the fact that it was made of solid rock represented the significance of Djoser and his enduring existence in the metaphysical world.

2. Symbol of Divine Kingship and Power

The Pharaohs were not only statesmen, but they were god-kings and believed to have a special bond with the gods. When Djoser built the first pyramid, it was to declare his godliness and preserve his memory for eternity. The towering structure of the Step Pyramid was always a reminder of Djoser’s reign and divine authority and stressed his role as a connector of the gods and society.

3. Religious and Cultural Significance

The pyramid’s form and the entire complex were created by the Egyptian religion. In the context of the building itself, such an appearance, which is understood to be terraces, represented a stairway leading to the heavens, where it was hoped Djoser’s spirit would access the gods. The entire temples and open areas inside the complex were created to carry out specific sessions meant to celebrate the deceased emperor’s excursion to death and his stay alongside the gods.

And in addition, the center accommodated the elements for the ritual of ‘Heb sed’, which was aimed at the king’s revival. Although the celebration was a common occurrence in the reign of the pharaoh to cement his position, it was also relevant in the beyond, as it meant Djoser would never run out of vigor to be in control in the spirit’s domain.

4. Innovation in Architecture and Legacy

The Step Pyramid construction revolutionized Egyptian burial structures, placing them on pyramids rather than the usual approach, which was the rectangular mastaba tombs. Djoser also ordered this innovative building not only for himself but also to showcase the inventiveness and supremacy of his rule. By creating a structure never seen before in scale and intricacy, Djoser made a significant contribution to the country of Egypt and its people, one that would transcend time and space and reinforce the grand notion of the chieftain’s exalted stature and power.

In conclusion, the Step Pyramid was designed to function as a consecrated resting place, which would be an everlasting mark of the divine rule of Pharaoh Djoser, and as a breakthrough in architectural design that would guide all the pyramids to follow. Through this awe-inspiring structure, Djoser wanted to be remembered as the god and create a lasting heritage for himself that would be through the sands of time.